A Midnight Modern Conversation by William Hogarth, 1697-1764

William Hogarth, 1697-1764
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A Midnight Modern Conversation

Original etching with engraving in black ink. 1732/33. With the 'Wm Hogarth Invt. Pinxt & Sculpt'. Rare early lifetime impression. Second state of three before darkening of the plate with cross-hatching on the pot, on the fallen man's suit, and on the back of the chair etc.
Ref: Paulson - Hogarth's Graphic Work no. 128 ii of iii.

Extremely fine early impression. On pale cream heavy laid 18th century paper. Generally excellent condition; very slightest signs of old glue edge mounting on the reverse. Sheet trimmed just within the platemark (as was often the case with impressions bought and framed at the period). Sheet: 13 1/2 x 18 1/2ins. (342x468mm)

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A Midnight Modern Conversation is one of Hogarth's most famous single prints, and it played an important part in spreading Hogarth's reputation outside England. The room is supposed to be St. John's Coffee-house in Shire Lane, Temple Bar near the Law Courts in London. The 'Conversation' is a 'conversation' in the sense of a 'conversation picture' - a narrative image depicting everyday life. In showing all the degrees of drunkenness Hogarth was passing comment on his opinion of the social behaviour of prominent business men and lawyers, for nearly all the figures can be identified (despite Hogarth's assertion that they were imaginary).

See also the notes on Hogarth in 'The Laughing Audience'.