Octobre. October. Also known as 'L'Automne - Autumn' by James J. J. Tissot, 1836-1902

James J. J. Tissot, 1836-1902
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Octobre. October. Also known as 'L'Automne - Autumn'

Original etching with drypoint in black ink. 1878. Signed in pencil with initials, and inscribed by Tissot as 'Bon à Tirer' (the unique final guide proof for the edition). Edition of c.100 impressions, but possibly printed in two groups, the first by Goulding in London and the second by Delâtre in Paris (1878/82). This 'Bon à Tirer proof recorded as lot 62 in the Tissot studio sale 1903. Exceptionally rare.
Ref: Wentworth - Tissot prints no 33. Tissot's Catalogue 29

Superb rich tonally wiped final proof impression, with dramatic burr on the drypoint and hand-wiped highlight on the face. Superb fresh original condition. On pale cream medium-weight laid hollande paper of the Van Gelder type. Full margins. Sheet: 24 1/2 x 17 3/4ins. Plate: 21 5/8 x 11ins (550x278mm).

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'October' is the most famous work in Tissot's etched oeuvre. It is one of the great masterworks of late 19th century printmaking both in England and in France. This impression is the unique final 'guide proof' before the edition, inscribed by Tissot as Bon à Tirer - 'all correct for the edition'. It is recorded in the 1903 Tissot Studio sale as lot 62.

'October' is a study of Kathleen Newton (see no 3 in this catalogue) posed in the role of 'Autumn'. There are also studies of her as the other three seasons in varying formats. This is one of Tissot's largest etchings. The contrast of the rhythmic pose of the figure, with just a suggestion of intrigue or mystery, and the background pattern of the chestnut leaves gives the work a powerful decorative appeal. At the same time the rendering of the surface patterns and textures in the embroidered coat (also seen in the 'Portrait of M.N. - no 3 in this catalogue) shows the inspired brilliance of Tissot's use of etching as a medium.